This large-format painting with a summery atmosphere depicts a sunlit forest path and a view of the countryside. The painting is executed in oil on canvas and is signed “J. Steinský” (Josef Steinský, born in 1903) in the lower right corner. Framed.

This oil painting on canvas from 1910–1915 depicts a female figure sitting with her back to the viewer by the water's edge, set against a backdrop of lush vegetation. The composition is built up using areas of color and a relaxed brushwork typical of the post-impressionist style of the early 20th century. The impasto technique with visible brushstrokes emphasizes the light atmosphere rather than detailed drawing. The color scheme is based on a harmony of green, ochre, and muted purple tones.

The painting is framed and does not bear the artist's signature.

Jan Autengruber (1887–1920) was one of the most prominent talents in Czech painting in the early 20th century. A native of Pacov, he studied at the School of Applied Arts in Prague and then at the prestigious Academy in Munich. His artistic expression was shaped primarily by a long study stay in Italy, thanks to which he achieved extraordinary technical virtuosity. Autengruber's work is characterized by a wide range – from psychologically profound portraits and figural compositions (especially nudes) to dynamic landscape painting. Although his promising career was cut short by the Spanish flu, from which he died in 1920, he left behind a body of work of high artistic value, which is now represented in the most important institutions, including the National Gallery in Prague. Investing in his works is a valuable choice from both a collector's and historical perspective.

This large-format painting depicts a landscape with a rural building and blossoming apple trees. The artwork is executed in oil on canvas and signed “A. Licht” in the lower right corner (Alfréd Licht). The piece is set in its original frame.

Study of a Leafless Tree by the important Czech artist Antonín Mánes (1784–1843) is a pencil drawing on handmade paper. The work is framed and bears a label on the reverse confirming its former inclusion in the Waldes Collection (formed c. 1910–1938).

Study – Pen Drawing of the Forest by the Black Lake in the Šumava Mountains, 1887, from a double page of the sketchbook of Czech landscape painter and naturalist Leopold Stephan (1826–1890). The work is signed lower right and bears a label on the reverse. Framed.

Leopold Stephan (1826–1890) was a prominent 19th-century Czech landscape painter. He trained at the Prague Academy and in Düsseldorf. His oeuvre encompasses romantic and picturesque landscapes of the Alps and the Czech lands, with the Šumava Mountains recurring as a favored subject. Drawings and sketches made directly from nature formed an integral part of his creative practice.

An icon painted in tempera on a wooden board, created in Russia at the turn of the 19th and 20th centuries. It depicts four saints: from left to right, Saint Paraskeva, Saint John, Saint Irene, and Saint Panteleimon. Above them, in the “open heaven,” Christ Pantokrator is shown seated on clouds. The background and the frame of the icon are richly decorated with ornamental motifs.

The object is accompanied by a certificate of sale and export issued by the Czech National Heritage Institute. Given its age, the painting shows minor signs of damage (see photographs).

Icon depicting a Mandylion – shows the frontal face of Christ on a pleated veil. Byzantine-style face, long wavy hair parted in the middle, short sparse beard and forked chin. It is a tempera painting on a wooden board. The painting is partially damaged (see photo).

The 19th-century item comes with a sales and export certificate issued by the Czech National Heritage Institute.

The Mandylion, also known as the Image of Edessa, is a holy relic venerated as an acheiropoieton (an image not made by human hands). It consists of a cloth bearing the alleged imprint of the face of Jesus Christ.

An icon originating in Russia from the late 19th century, depicting selected saints - specifically St. Alexandra, St. Michael, St. Alexei and St. Vasily. Christ as Pantokrator floats on a cloud in the open sky. The entire icon, except for the incarnations, is covered with hammered sheet metal (cladding) made of base metal.

The item is accompanied by a sales and export certificate issued by the National Heritage Institute.

Plein air painting in oil on cardboard (71 × 61 cm) by Czech painter Gustav Macoun. It depicts a modern landscape with a lake running away from the viewer towards the hilly horizon. It is modelled with muted colours and sovereign broad brushstrokes. With the same amount of expressiveness, the painter has depicted the sky, which plays an important role in this work and completes the mood of the entire artwork.

Signed in the lower left corner. Framed and glazed.

Gustav Macoun (1889-1934) was a Czech impressionist painter. He studied under Antonín Slavíček and Alois Kalvoda and studied at the Prague Academy. His main area of work was the Bohemian Paradise, Kameničky and the Bohemian-Moravian Highlands. He painted mainly autumn and winter melancholic landscapes, trees and combinations of surfaces with cloud play.

A larger floral still life (38,5 × 58,5 cm) by Czech painter František Jiroudek depicts a harmonious composition full of colours and scents of flowers. Signed and dedicated "Jiroudek", "Christa", "1979".

The dimensions of the painting with frame are 53,0 ×73,5 cm.

František Jiroudek (1914 -1991) was a Czech painter, graphic artist, scenic artist and teacher. He studied at the School of Arts and Crafts, then at the Technical University in Prague and finally at the Academy of Fine Arts under W. Nowak. Until 1961 he was a professor, from 1970 as a rector of the Academy of Fine Arts in Prague.