Porcelain figurine depicting a Turkish soldier. Unmarked, probably Bohemia, late 19th or early 20th century. The work imitates older production from the 18th century.

Porcelain figurine of a boy hiding a playing card in his hand; he also has a card motif on his clothing, so it is possible that this is an allegory of card games. Made in the Edmé Samson porcelain factory in Paris between the 1940s and 1960s. The work imitates older Meissen production from the 18th century.

A detailed figurine from the series "Cupids/Putti in Disguise" by modeler Michel Victor Acier (1736–1799), produced at the world-famous Meissen porcelain factory.

This model, named Amorette als Knabe mit Pistole (which can be translated as Putto as a boy with a pistol), was designed in 1775 and manufactured in the 19th century. The markings on the bottom of the figurine were used by the company from 1815 until the beginning of the 20th century.

The figurine represents top-quality modeling and painting work.

It bears small traces of damage and repairs.

Porcelain figurine from the series "Children with mottoes" made in the 19th century by the famous porcelain factory Meissen in Germany. Cupid standing by a circular pillar holding an arrow in one hand and a jug over two hearts in the other. The inscription (motto) on the base is in French 'Je blesse et soulage' ('I hurt and I heal'). The polychrome painting has gilded details.

The company used the marking underneath the statue from 1815 until the beginning of the 20th century. This model was designed as early as 1777 by Michel Victor Acier (*1736 - †1799), marked with the model number "F 14" from below the statue. It comes from the "Children with Mottos" series, which depicts cupids as children taking care of hearts, with mottos or phrases on the base.

In excellent condition, no damage.

Porcelain figurine from the series "Children with mottoes" made in the 19th century by the famous porcelain factory Meissen in Germany. Cupid standing by a circular pillar, tying two hearts, is decorated with a wreath of roses. On the base we find the inscription (motto) in French 'Je les unis' ('I unite them'). The polychrome painting has gilded details.

The company used the marking underneath the statue from 1815 until the beginning of the 20th century. This model was designed as early as 1775 by Michel Victor Acier (*1736 - †1799), marked with the model number "F 1" from below the statue. It comes from the "Children with Mottos" series, which depicts cupids as children taking care of hearts, with mottos or phrases on the base.

In excellent condition, no damage.

Paired porcelain candlesticks in the style of the neorococo from the Czech porcelain factory Loket. Figurative theme of a woman and a man, hand painted and gilded. 

Smaller (12,5 cm) Art Deco porcelain figure of a gentleman made in the 1920s in the Lenck porcelain factory in Passau. Gilded.

Genre figure of a woman with firewood and an axe, made of porcelain around 1760 at the Imperial Manufactory in Vienna. Marked on the underside with an underglaze blue shield and an impressed letter "P", indicating the modeller Anton Peyer (also spelled Payer), active between 1762–1787.

The figure shows several minor manufacturing flaws – fine cracks in the folds of the headscarf and the lower part of the dress.

Small porcelain figure by the world-famous Rosenthal brand depicts a boy playing with a dog. The modeler in this case is Max Hermann Fritz (1873-1948), the figure dates from 1940.

Great condition without any damage.

Statuette made of glazed ceramic depicting a girl standing on a square base. She is dressed in a long dress and cap, holding a jug in one hand and carrying a bag in the other. It is a production of the Austrian porcelain factory Goldscheider from the beginning of the 20th century. The figurine is not marked with the maker's mark. The model number 1011 is marked on the back of the base.

In excellent condition with no damage.

In 1885, Friedrich Goldscheider came from the Czech town of Pilsen to Vienna where he founded the Goldscheider Porcelain Factory and a majolica factory. It became one of the most influential ceramic manufactories in Austria, with subsidiaries in Paris, Leipzig and Florence. For more than half a century Goldscheider created works of historical revival, Art Nouveau and Art Deco.